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DISNEY'S 'BEAUTY AND THE BEAST'
Posted By Paul Tyree
Category UKTheatre Reviews
Date Posted 7/26/2006
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DISNEY'S 'BEAUTY AND THE BEAST'

Music by Alan Menkin



Review by Paul Tyree

www.paultyree.co.uk



Apart from what I thought was a very weak opening and a cartoonish performance by Gaston, played by Michael Quinn, this production is everything that you hope it may be.

Jo Gibb makes an excellent and endearing Belle and Nic Greenshields is magnificent as the Beast.

For some reason the opening number didn't hit the right notes and it felt awkward and forced, as though the performers had only just woken up to the fact that they were supposed to be putting on a play. After that false start, however, everyone settled in quickly and the piece really began to take off, the first half closing out with two incredibly strong numbers, most notably ' Be our Guest'. This left the audience very buoyed and eager to see the second half.

Again, Michael Quinn's performance as Gaston was distracting, overblown and off putting - it was also very evident that he seems to have forged a career out of impersonating Elvis. At first I thought that perhaps his gurning and hip shaking might be a direct reference to the cartoon, but sadly not. Compared to Mr Quinn's performance, the Gaston in the Disney cartoon is infinitely deeper, more finely nuanced and a far far better actor. The only way to defend his stage performance is to remember that this play is supposed to be for children and a cartoonish, overacting Gaston is less likely to frighten the little ones. (I would, however, not endorse this sort of patronizing view. If children can handle the Wicked Witch in 'Wizard of Oz' or The Childcatcher in 'Chitty Chitty Bang Bang', then they can certainly handle a Gaston with a little more depth).

These criticisms, however, are minor and far outweighed by the sheer professionalism of this production and the tremendous amount of work that the cast put in to make all this appear effortless.

Sergio Priftis is excellent as the candlestick 'Lumiere' as is Adam Stafford as 'Cogsworth'. Their interplay is as enjoyable here as it is in the movie. Zee Asha stands out as Madam De La Grande Bouche, the wardrobe and Emma Cannon is suitable flirty and eye catching as 'Babette'.

It is, however, with our two leads that this production stands or falls and luckily both performers are completely believeable in their roles.

Nic Greenshields also displays a fine talent for light comedy - no easy thing when you're 6 foot 6 and covered with latex and hair.

The costumes and sets are as professional as one would expect from this sort of play, but still deserve a mention for the undoubted craftsmanship that went into their production.

The orchestra was also magnificent and deserve high praise for being so present, vital and invisible. Truly an orchestra has done it's job magnificently when after the first minute, you have completely forgotten about their existence, so at one and integral they were to the piece.

All in all this production was as special as one would hope and will transfix all who are lucky enough to get a ticket.





Lyceum Theatre, Sheffield: July 10-29, 2006

Kings Theatre, Glasgow: August 1-12, 2006

Milton Keynes Theatre: September 4-16, 2006

Theatre Royal, Norwich: September 18-30, 2006

Palace Theatre, Manchester: October 2-7, 2006

Hawth Theatre, Crawley: October 9-14, 2006

Hippodrome, Bristol: October 16-21, 2006

Hippodrome, Birmingham: October 23-November 4, 2006

Grand Theatre, Blackpool: November 6-18, 2006

Swan Theatre, High Wycombe: November 20-25 2006

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